Outlaw King

Outlaw King has built a real following in Australia on Netflix, and in the US on Netflix among viewers who want their action grounded in something real. It knows exactly what kind of film it is from the opening scene, and never loses that thread. 1,706 viewers have already rated it on TMDB — the kind of consensus that does not happen by accident. No filler scenes, no spinning wheels between the action. Available now on Netflix — press play and find out why people keep recommending it.

There is a reason Outlaw King keeps coming up in conversation. The choreography in Outlaw King serves the story instead of interrupting it. Forced into exile by the English after being crowned King of Scotland, legendary warrior Robert the Bruce fights to reclaim the throne. The physicality Chris Pine and Aaron Taylor-Johnson bring elevates every sequence. Outlaw King came out in 2018. The geography of every set piece in Outlaw King is legible, which is rarer in the genre than it should be. It delivers reliably on what it promises, which is more than most of its competition manages.

For viewers who want their entertainment to move fast and not waste a scene, Outlaw King respects your time. It rewards viewers regardless of what else is in their watch history. It is a manageable watch, easy to fit into a single evening. Chris Pine anchors the chaos with real screen presence. Every set piece here is doing more than one job at once.